I have been waiting a long time to be able to show and write about this piece, and today I am happy to finally be able to do so. It is currently being exhibited at the 8th European Quilt Triennial (2021-2023) which opened today at the Textilsammlung Max Berk Kurpfalzisches Museum in Heidelberg Germany. I am delighted that after all the uncertainty we are currently living with the exhibition has been able to open and that I have a piece of my work in this prestigeous event. Congratulations to all the artists, Dr Kristine Scherer and everyone at the museum who have worked so hard to make the opening possible.
This piece is titled ' Light, Life, Love' and follows on from the earlier piece 'In Loving Memory', both of which have very personal significance. You can find them both in the gallery on my website here. It was made when the world was still gripped by the Covid-19 virus and there was little optimism to be felt, so I wanted to create a piece of work that felt uplifting.
As with the previous piece I built on the emotions that can be roused by candle light, the gentle flame providing warmth, comfort and glimmers of hope. A glow that lifts our spirit and gives us the strength to look to the future and know there are better times to come.
The quilt is made from long strips of intensely dyed cotton organdie which have been gently gathered into soft ripples. For me it represents the future and holds a message of life, light and love. Very recently it has also acquired an unexpected personal significance - this is for you mum. xxx
Click the image below to view a short video of the piece.
Thank you for reading.
European Quilt Triennial dates and venues:
10 October 2021 to 16th January 2022: Textilsammlung Max Berk Kurpfalzisches Museum, Heidelberg Germany
January to 24 April 2022: Kreismuseum Zons/Dormagen, Germany
November 2022 - January 2023: Textile Museum St Gallen Switzerland
I have been working on my latest piece for the past month and am relieved that is was finished just before the required deadline of August 31st. This is the third of these draped art quilts I have made and I am really beginning to better understand and enjoy the nature of creating work that has no definite form or end. Combining and stitching long strips of fabric and then allowing gravity to become part of the creative process means I have far less control over their final form. It is interesting to note that although each of the three pieces has started out with virtually the same component parts, they have each taken on their own passing form once hung. It also means that although I have taken a photograph of this piece - it will never look the same again, as next time it is suspended gravity will undoubtedly make it look a little different.
The colour of glacial ice is a magical thing - we are used to pure water being colourless and snow and ice being white but glacial ice is a lot different from the stuff we get out of the freezer. This ice has been in situ for such long time that it has become ultra compacted, so much so that its crystaline structure absorbs all wavelengths of light except blue, which is strongly scattered by the ice crystals.
In addition, glacier ice contains many air bubbles which become severely squeezed by the high pressures within the dense ice. These bubbles are not always round and can be squeezed into long rods, flat planes and can even move around within the solid ice. Because of these small bubbles some areas of the ice can also take on a coarse, bubbly appearancewith small bubbles, especially near the ablation areas of a glacier where evaporation or melting take place. In contrast, coarse clear ice is free of bubbles and is the bluest ice of all. This kind is usually found near the margins and terminus of a glacier.
To capture these various colours I used turquoise and black dye and then added pleats, layers and stitch to add shadows and changes in value.
For the whiter, coarser bubbly ice I explored crocheting a variety of recycled fibres - recycled jeans, dishcloths, merino wool and an unknown fibre from a garment I unravelled.
To complete the piece I wound more than a kilometer of the same recycled fibres into cords to drop from the fabric swags to pool onto the ground.
There are more images of this piece on my website in the portfolio section, or by clicking the following link and scrolling down the page:www.clairepassmore.com/water.html
Thanks for reading. Keep well.
This is a new piece that I have just finished which I hope will be going off to an event in Chicago in November. I have submitted it for consideration to the juror and am keeping my fingers and toes crossed that they will like it!
It was really interesting to make as I was playing with some new gadgets - different types of 3D printers. I have been reading a lot about them recently and wanted to see what they could do and whether they would be a useful addition to my toolkit. As you can see, you can make some very cool-looking shapes!
3D printers use a filament that is melted and then extruded in layers from a print head to form whatever shape you wish to create. The printing process is done either by a 3D printing machine or more simply, a 3D printing pen. With a machine it is possible to print solid objects, such as a chess piece or a cup,for example. With the right kit incredibly large or complex objects can also be printed, such as prosthetic limbs and a team of researchers from the University of Maine have even printed a boat! You can read more about that here:
Whilst a huge printer that can print a boat would have been fun, I decided to try out somehing a little simpler - a 3D print pen. Toy type pens are fairly cheap if you want to have a try, starting at around £20 or so.
What I have discovered that they are very easy to use - but difficult to use well!
The filament I chose to use is called PLA, which stands for polylactic acid. PLA is a vegetable-based plastic material, which commonly uses cornstarch as a raw material, so is therefore non-toxic and biodegradable. It comes in the form of wire filament on a spool, which is fed into the pen or printer where it is heated then extruded out of the pen tip / printer head and deposited in a continuously extruded thread.
I did a lot of playing about to see how the pen works and after making a lot of blobs and lines I eventually made some small pyramid shaped cages.
The PLA is surprisingly strong and it is possible to make pretty much any shapes you can think of, so there is a lot of potential.
Using the same pyramid shape I also tried some other more delicate lines and produced another set of cages.
The lines of PLA are much finer in this set so placing a fabric pyramid beneath the printed structure makes themmuch more visible. The complimentary colour makes for a very vibrant combination don't you think?
From there I continued to add more pyramids and embroidery as you can see below. The luminoscity of the combination of colours I used meant it was easy to name this piece.
I also had fun making a short video which shows the finished piece - I hope you enjoy looking at it.
I hope you like it too - and maybe even think about trying out some new tools - it can lead to interesting and sometimes surprising results.
You probably haven't noticed but from today my blog posts are now part of my website. Until now my blog was part of an old website I stopped using about 5 years ago - as my website provider has never been able to transfer it. It didn't really matter until a good friend told me that my blog now has adverts and banners splashed across it - and I really don't want all that junk - so here we are.
All my old blog posts going back to 2014 are still at www.clairepassmore.weebly.com/blog, but going forward I will be posting here, at www.clairepassmore.com/blog.
More interesting than the whereabouts of my blog I have also been exploring some new ideas for 3 dimensional work. This is how one of the pieces has turned out:
It is called 'Deep Dive' and is very different from any of my other work, but I absolutly loved making it! The idea for a quilt about a whale's tail breaking the surface of the ocean has been lingering for a long time, but it took until now for it to be realised. Here is the page from a very old sketchbook, created in about 2015 that started it all off.
The whole piece is made in 3 parts: the tail, the swirling water and a net which supports the swirls. Ironically it is barely visible and took the longest to make!)
This is the tail section - made from two layers of dyed stiff non-woven interfacing. A single curved fold helps give the characteritic shape, and lots of French knots and assorted embroidery stitches create the gnarly surface.
This is a close-up of the watery swirls which are made from a variety of different materials: paper, organdie, non-woven fabric and laminated organza. I have spent quite a while exploring how curved creases change the plane of a surface and this is the result. A gorgeous tangle of knots and swirls.
And finally, the net. I have watched fishermen making or repairing nets in the past and they make it look so easy.... guess what.... it isnt!!!
This took 4 days of frustrated knotting, unknotting and then reknotting, but thanks to YouTube I got there in the end. The video above is a snapshot from around day 2!
As this is a 3D piece it is easiest to get an idea of the whole thing with a video. It has been fun leaning how to make these short videos too.
Thanks for reading.
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